Fellow Bloggers Provide Help

In last Sunday’s posting I asked questions about fiction genres and the state of publishing today. Two fellow bloggers, Perpetua from England and Kathy McCoy from the United Sates, provided answers to these questions. I want to share their informative responses with you because you may not have had the time to read all the comments for that posting.

         To my question about the difference between commercial and literary fiction, Perpetua answered:

In my librarian days, literary fiction was serious and sometimes more difficult fiction which was normally printed and sold in small numbers, unless it won a book prize of some kind, when demand would rise. 



Commercial fiction is basically popular fiction, often in genres such as crime, romance, thriller, which can almost be relied on to sell, often in large numbers. This doesn't mean it isn't well written, but it appeals to a mass-market in a way literary fiction doesn't.

In my response to her comment, I asked if there were subcategories of the genre “historical fiction.” Here is her reply:


Historical fiction is a very broad category, which can be subdivided into different types. There are historical mysteries (Ellis Peters' Brother Cadfael novels spring to mind here or Lindsey Davis' Falco novels set in Imperial Rome) historical romances, such as Georgette Heyer's Regency novels (much loved by DH and me) or serious “literary” historical novels such as I, Claudius by the poet Robert Graves. I'm guessing there are probably historical thrillers too, but I can't call any to mind at the moment.

To my question about the state of publishing today, Kathy commented, as Perpetua did, from her own experience:

I understand your frustration, Dee! My agent has been schlepping Therapy Cats around to publishers for months now. A few have said "No" and more are just sitting there letting it grow roots on their desks. My agent said something about it was a shame that I hadn't published a completely new book in more than ten years so I would have a more recent, dynamic presence online. So frustrating!



So I finally decided to write some e-books inspired by my blog and see how that went—which is why I haven't been blogging for a month. In that time, I wrote Making Peace With Your Adult Children and Aging and Other Surprises. The latter makes heavy use of past blog posts and is a semi-memoir. I decided, just as a beginning, to get them converted to e-pub and professional covers done at Vook, which my agent recommended. Both are now on Amazon and other outlets as e-books and will soon be available as print on demand titles. 



I got a call from PBS Next Avenue, an online Baby Boomers magazine, the other day and the writer said she had seen my Making Peace With Your Adult Children book on Amazon and wanted to interview me for an article that will feature a link to the book and my blog post. So I'm optimistic.

This has cut down on some of my frustration in waiting for someone to buy my Therapy Cats book. There is no longer a stigma attached to self-publishing/indy publishing and my agent was very much in favor of it. (It also keeps me out of his hair!) Have you thought of trying this with either of your book ideas, Dee? Some "indy" books have been picked up by traditional publishers later on.

I certainly don't have all the answers these days in the rapidly changing world of publishing, but I'm more hopeful now. Maybe this approach is something to consider. There are ways to do it without it costing a lot. Because I chose to have Vook do the ePub conversion and also design a deluxe cover, my books cost $600 to get up and running, but sales are starting to come in. But you can do a Kindle Direct book with a Smashwords or other print on demand book for very little upfront.

Dear Perpetua and Kathy, you’ve enlightened my understanding of publishing and offered me options. Thank you. Peace.

NOTE: I won’t be posting again until I have more news about my search for an agent.

    

And the Beat Goes On . . .

Hello again after a three-week hiatus. During that time, I’ve busied myself with visiting the websites of literary agencies to determine which agents represent historical fiction. As I look at what each agency represents, I’m also interested in the following genres: memoirs, fantasy, and inspirational gift books.

         Why? Because these are the categories on which I’ve been working the past few years. Let’s begin with the memoir.

         My other blog is an online memoir. I hope one day to take the postings and shape them into one or two memoirs—depending on length.

         Back in the early nineties, after the publication of Angela’s Ashes by Frank McCourt, memoirs really came to the fore in publishing. Rick Bragg’s All Over But the Shoutin’ and James McBride’s The Color of Water, both published a few years later, cemented the premier place of memoirs in the publishing world.

         But so many memoirs have been published since then that the genre is not as popular with publishers as it once was. So some agents no longer represent this genre while other agents will say in their listings that they do not want “misery memoirs.”  

         I’m not sure what my memoir will have going for it. Nor am I sure what thread could hold the memoir together. Perhaps I will simply concentrate on the convent years, but I admit to wanting also to share the story of my mother’s influence on my life. I would also like to share some of the post-convent stories, especially those that have to do with peace and justice issues.

         For the fantasy genre, I now have ready the first book in a trilogy. Judy King, who illustrated A Cat’s Life: Dulcy’s Story, has done stunning pen and ink drawings for Book One. I’m nearing completion of the other two books in the trilogy.  

         The manuscript for the inspirational gift book A Celebration of Angels is also near completion. Recently, several friends read it and responded enthusiastically to varied aspects of the manuscript.

         When I worked for Winston Press in Minneapolis in the 1970s and 1980s, all I knew of publishing was the developing, writing, and editing of curriculum for grade and high schools.          

         Today I know almost nothing about what’s happening in publishing: What are agents looking for? What kind of stories do editors want from agents? What are the developing trends today?

         From a fairly thorough reading of the websites of many literary agencies, however, I have learned that some agents represent just nonfiction, while others represent only certain subgroups of fiction.

         For example, many do not represent fantasy, sci-fi, poetry, Westerns, children’s pictures books, and juvenile books. Some agencies represent only “commercial fiction” or “literary fiction.” What do those two terms mean? I’m just not sure.

         I do understand that agents are effective only if they know a wide group of editors at publishing houses. They must know what those editors are looking for with regard to manuscripts. If an agent doesn’t know many—or even one—editor who is looking for a historical novel, then she/he won’t be interested in A Reluctant Spy. The agent will look upon the novel as a dead end.         

         Many editors who retire or leave publishing become successful literary agents. Having worked in a publishing house, they know enough people to approach with a proposed manuscript.

         That’s another thing I’ve been investigating on those web sites for literary agents: their professional background.

         Lots to do. I’ll report more when I get a nibble or two. Peace.

Cat Photograph from Wikipedia

A Novel's Beginning Scene

Here’s an update on what’s happened in the last week with The Reluctant Spy. I sent eight e-queries. In seven of them, I pasted in, per each agency’s web site instructions, a number of pages from the manuscript. The pasted sample ranged from five to fifty pages. I was able to send out three on Monday, one on Wednesday, and four on Friday.

         Within that same time, two of the eight agencies declined to represent the first-century Palestine novel. Still, this is just the beginning. I continue to believe that at least one or more agents will ask me to send the entire manuscript of 122,000 words. Then of course there will be the anxious waiting to see if, after reading, an agent will want to represent the historical novel.

         While all this has been going on, I’ve been considering the opening pages of the novel. Somehow the first scene has never felt right to me.

         Late last night, after staying up until 1:30 am to finish an intriguing mystery, I turned off the light and thought about the beginning of the novel I’d just finished reading. That led, quite naturally, to thinking about the beginning of The Reluctant Spy.

         Several years ago, an author asked me to read her manuscript for a historical novel. After doing so, I asked, “Do you like your main character?” The simple question startled her. Somewhat disconcerted, she admitted that she wasn’t sure any more.

         I explained that if she, the author, didn’t like the character, readers wouldn’t either. Readers need to be pulling for the protagonist. So in the first scene in which the main character appears, she or he must be shown in a way that will attract the readers' empathy and concern.

         Last night, I remembered that conversation and realized that in The Reluctant Spy I hadn’t followed my own advice—the novel begins with a scene in which Ephraim displays the darkest parts of himself to a man he considers his rival. Thus, the readers' first impression would probably be negative. That impression might color everything else they subsequently read abut him.

          Yet within a number of pages the story shows the strength of Ephraim and the burdens of his life. He then becomes a sympathetic character . . . and thus reader-friendly.

         So at 2:00 am this morning I sat here on this computer chair and began to reconstruct the first fifty pages. Now the novel begins with Ephraim showing himself in a good light so that readers will, I hope, root for him throughout the rest of the story.

         By the time readers come to the original opening scene, they will better understand why the main character is jealous and angry. They’ll understand, I hope, that like all of us, he is human. That is to say—flawed.

         After reorganizing the first fifty pages, I’ve ended up with a new first chapter and a more sequential telling of the story.

         I’m pleased with this decision, which was made on St. Michael the Archangel’s feast day—Michaelmas. That’s significant to me because just this past Thursday I found a slim manuscript about angels, which I’d written in 1995. Reading it again, I found myself wondering if it held any promise.          

          Perhaps Michael is now watching over me and has helped me find the right beginning for The Reluctant Spy.

         For many years, I’ve believed that I had fourteen guardian angels—my own, given to me at birth, and thirteen others, whom other humans had declined. All of them have stood by me in difficult times.     

         This week I, along with Michael and those fourteen guardians, will continue to send out queries. But I’ll be even more hopeful because the beginning is right. Peace.

Not Much to Report

Hello All on this lovely day here in Missouri. This past week, I polished the generic query letter, the synopsis, and the first fifty pages of the manuscript.

         But somehow, no matter what plans I have upon awakening, I never get done all that I need to do in order to start sending out queries. As the saying goes, “Life happens.” And while it’s happening, I’m napping, walking, dealing with a headache, doing errands, simply staring off into space . . . or reading mysteries!

         I did go to a number of agent web sites this past week and read them carefully to determine exactly what materials each agency wants beyond the query letter. Also, I read the lists of authors each agency represents. If I discover an author whose books I’ve read with pleasure, I can add that to my query and personalize it.

         So now I have a list of 8 agents to whom I hope to send queries this week. I’ve found 104 agents who represent historical fiction and I’ll write to all of them if need be in my search for someone to represent The Reluctant Spy. My hope of course is that several will ask to read the entire manuscript. That may be an unrealistic goal, but I’ve always believed in dreaming big.

         I won’t be posting again on this blog until I have something to report. That may or may not be next Sunday. Please just keep those fingers crossed for me. 

        No need to take your treasured time today to leave a comment. I know—

and so appreciate—that you'll rooting for me. Peace.

Agents, Here I Come!

Hello on this Sunday morning here in Missouri—a morning that reminds me of autumn in Minnesota. The hot-tempered weather has cooled off: a good day for writing.

         Many of you wished me abundant sales at the fair last Sunday. So you may be as disappointed as I was to have sold only two books. But that fact has a flip side: I met several vendors who gave me ideas for other local fairs, like those held in hospitals and schools. So now I have some research to do.

         In 2011, the trade paperback publisher of A Cat’s Life: Dulcy’s Story sent me the final 600 copies of the out-of-print book for the price of shipping. I still have 400 copies in the garage. That’s a lot of fairs, folks!

         Now to the present.

         I spent the past week critiquing a manuscript for a first-time novelist. Back in July, I’d done the same. After that reading I encouraged her “to situate” her scenes by providing details so that readers could visualize where something was happening. I also recommended the use of detail when writing dialogue so that “talking heads” would not confuse readers.

         The author sent the manuscript back to me for review in early September. As often happens, in an attempt to show facial expressions and body language, she had added too many details. Moreover, the timeline was confusing, and in at least one crucial scene she missed the opportunity to create drama.

         I completed my reading, critiquing, and slight copyediting on Thursday. The next day, she and I went through the manuscript on the phone for 3 ½ hours. I explained what still needed to be done—most of which could be accomplished by the deletion of words and the condensing of some scenes. Having words to cut is always easier than having to add words.

         Because this is a young adult novel, it is supposed to be only about 75,000 words. The present manuscript has over 100,000. So the author welcomed the cutting I suggested.

         As we’ve worked together in July and again this month, I’ve come to admire her dedication and maturity as a writer. She’s committed, open to advice, and professional enough to take those recommendations that work for her and to discard the rest.

         She also has a reserve of fortitude and tenacity—necessary virtues when seeking publication. In recent weeks, she’s persevered and sent out eighty-five query letters to agents. Yes—85. Two have asked to see her manuscript.

         I don’t know how you are responding to that ratio, but I’m impressed. Getting an agent is so difficult today and two of those eighty-five intermediaries between author and editor have asked to see her completed novel. That’s great news.

         She plans to do the cutting and have the manuscript ready to send out by early October. I’m so hoping that one of those two agents will want to represent her writing.

         Having completed that project, I’m now going to return to my own query letters to agents. The book 2013 Guide to Literary Agents lists 104 agents who represent historical novels. I have my query letter ready; I’ve visited agent websites; I’ve selected the first few to whom to send a query. Now the journey begins.

         This week I hope to contact several agents to seek their representation of The Reluctant Spy. Start visualizing!

         Peace.